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Isamu Dyson is an extrovert jet fighter maverick assigned as a new test pilot on project Super Nova.

More he discovers that his old rival Guld Bowman is the test pilot for the competing project.

The arrival of Myung Fang Lone, a mutual ex-girlfriend, adds more tension to the conflict.

There really isnt anything out there like the Macross series.

When it came to Episode 4 of the original translation, due to a rights issue at the time, the entire soundmix including music and sound effects had to be recreated from scratch.

Only the songs performed by Sharon Apple (Pulse, Information High, and Santi-U (second half)Torch Song) and the English version of Voices were retained.

The background music entitled Dogfight was replaced with another track entitled Breakout (featured in Episode 1 and 2), notably in the main Dogfight sequence and just after Isamu recovers from his trance.

Most notably Isamus part was recast with David Hayter, most famous for his voicework on the Metal Gear series.

This version was exclusive to Japan, also being included as the English dub of choice on the Japanese Blu-ray release in 2012, still retaining the original Manga versions of Episodes 1 - 3.

None of the characters from the original series appear and it takes place about a generation later.

Some knowledge of the original series may be helpful to fully understand the final episode, but its not necessary.

Their friendship was irreparably shattered when one of the young men attempted to rape Myung.

It is unclear until near the end of the series just which of them committed this assault, but it cannot be emphasized enough that this act is portrayed as devastating and tragic, not as sexy or exciting in any way.

This act RUINS the lives of everyone involved (including the attacker), and could therefore be seen as presenting a valuable moral lesson.

Guld is drug-addicted and often ruthless, Myung (perhaps understandably) is a hollow shell of a woman living only for her work, and Isamu is an inconsiderate, hedonistic, egotistical jerk.

However, they all have some redeeming qualities, and the occasionally evident love they still retain for one another makes for intriguing drama.

Thats a rare combination in any medium, and it should be noted that MACROSS PLUS features some of the highest-quality animation ever seen.

In addition, if one listens VERY carefully during a song from the Sharon Apple concert, a graphic description of a sexual act can be heard, but its not really noticeable unless you know its there.

A minor character is killed with an on-screen gunshot to the head.

There is no nudity in this sequence, but Myung does cover her breasts with her arms after her blouse is violently torn away.

One (the protagonists) is more of a self-sacrifice, while the other is just plain wierd.

Its rather that the film plays so intelligently with all the standard tropes of anime -- the mecha, the space battles, the hot-shot pilots, the technology -- and ironizes them in a way that is stunningly and brilliantly intelligent; its the 15-and-up crowd, minimally, that would start to grasp the deeply sardonic character of this film.

Woven throughout the film is the power of the past, manifesting in the memories of the characters who had known each other in what must have been painful previous romances.

You are shown a world of astonishing technology, but the film betrays a deep underlying ambivalence about this technology -- you can scarcely drive down the highways without being beset by advertising, and the colonized world (ironically called Eden) seems very much in danger of being paved over.

And the music I dont think Ive heard a more impressive sound track.

The composer draws equally from south Indian classical music and Debussey, weaving them into tunes that seem to speak from the characters hearts.

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Macross Plus Ova